A Hollywood Story
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Out of Print: Future availability is unknown
item number: A7KR
- Rated: Not Rated
- Run Time: 1 hours, 50 minutes
- Video: Black & White
- Released: January 8, 2013
- Originally Released: 1950
- Label: Paramount Catalog
- Encoding: Region 1 (USA & Canada)
- Note: Disc 1:
- Commentary by Ed Sikov (author of "On Sunset Boulevard: the Life and Times of Billy Wilder")
- Disc 2:
- Sunset Boulevard: the beginning
- The noir side of Sunset Boulevard by Joseph Wambaugh
- Sunset Boulevard becomes a classic
- Two sides of Ms. Swanson
- Stories of Sunset Boulevard
- Mad about the boy: a portrait of William Holden
- Recording Sunset Boulevard
- The city of Sunset Boulevard
- Morgue prologue script pages
- Franz Waxman and the music of Sunset Boulevard
- Behind the gates: the lot
- Hollywood location map
- Paramount in the '50s - retrospective featurette
- Edith Head - the Paramount Years featurette
- Original theatrical trailer
- Aspect Ratio: Full Frame - 1.33
- English, French, Spanish
- Subtitles - English, French, Spanish
Performers, Cast and Crew:
|Starring||Gloria Swanson, William Holden & Erich von Stroheim|
|Performer:||Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Franklyn Farnum & Charles Dayton|
|Directed by||Billy Wilder|
|Edited by||Doane Harrison & Arthur P. Schmidt|
|Screenwriting by||Billy Wilder & Charles Brackett|
|Composition by||Franz Waxman & Richard Strauss|
|Cameo:||Cecil B. DeMille, Hedda Hopper, Buster Keaton, Anna Q. Nilsson, H.B. Warner, Ray Evans & Jay Livingston|
|Produced by||Charles Brackett|
|Director of Photography:||John F. Seitz|
Memorable Quotes and Dialog:
"All right, Mr. DeMille. I'm ready for my close-up."
- Norma Desmond (Gloria Swanson)
"All right, Mr. DeMille, I'm ready for my closeup."
"I am big! It's the pictures that got small."
Academy Awards 1950 - Best Adapted Screenplay
Academy Awards 1950 - Best Art Direction - Set Decoration (b&w)
Academy Awards 1950 - Best Original Score: Franz Waxman
Norma is something of a living legend, but she's also an unaware ghost: no longer of the world in which she thinks she lives. Full Review
Not Coming to a Theater Near You
Rating: 5/5 -- Rarely is fiction shot through so glitteringly with real life. Full Review
Daily Telegraph (UK)
[Gloria Swanson] proves that in the years she has been off the screen she has lost none of her glamour, the magnetism that made her an outstanding personality of the early Hollywood days. Full Review
The conception owes something to Miss Havisham in Great Expectations, but the film builds a myth of its own, one that taps into something essential about stardom. Full Review
The Age (Australia)
An uncompromising study of American decadence displaying a sad, worn, methodical beauty few films have had since the late twenties. Full Review
One of Wilder's finest, and certainly the blackest of all Hollywood's scab-scratching accounts of itself. Full Review
Sunset Boulevard (1950), the blackest of Hollywood's self-portraits, is an old dark house of a ghost story inhabited by the living shadows of its discarded stars. Full Review
Billy Wilder's masterpiece SUNSET BOULEVARD, a corrosive black comedy that remains the most memorable assault on the emptiness and vanity of the movie business, stars William Holden as young, down-and-out screenwriter Joe Gillis. Narrated in flashbacks by the now-deceased scribe, the film unwinds the series of events that left him lying face down in a pool. Unable to sell his most recent chef-d'oeuvre, and in hock up to his eyeballs, Joe stashes his car in the driveway of what appears to be an abandoned mansion on Sunset Boulevard while trying to elude some persistent repo men. Closer inspection reveals the decrepit property to be inhabited by grandiose former silent movie goddess Norma Desmond (Gloria Swanson), and her zombie-like manservant Max (Erich von Stroheim). Upon hearing that he's a writer, the lonely but still wealthy woman offers to pay him generously to stay at the house and work on her "comeback" script on the life of Salome. Although spooked by the people and the surroundings, in desperate straits, Joe takes the job, little suspecting the madness of the netherworld he's entered. Wilder's merciless portrait of the dangers of a profession that trades in fantasy cagily couples the cynical amorality of the never-was with the near-psychotic narcissism of the has-been to reveal the vacuity of wealth and the transience of fame.
Classic | Suspense | Thriller | Murder | Film Noir | Recommended | Character Study | Showbiz | Film About Film | Los Angeles, California | Movie Stars | Filmmakers | Filmmaking | Essential Cinema
- SUNSET BOULEVARD was an original selection to the Library of Congress National Film Registry in 1989.
- Erich Von Stroheim, who plays Norma's butler, Max Von Mayerling, was himself a famous silent film actor and director with whom Gloria Swanson had worked. In fact, a clip of the film QUEEN KELLY is used in the film. (Norma screens it for Joe in her home). QUEEN KELLY, produced by Joseph Kennedy, was only partially finished when Swanson desperately cabled Kennedy complaining of Von Stroheim's directorial tactics and (supposed) reckless disregard for money. Von Stroheim was subsequently fired from the shoot, an event alluded to in SUNSET BOULEVARD.
- SUNSET BOULEVARD showcases some of Hollywood's biggest players as themselves, including Cecil B. DeMille, Hedda Hopper, and Buster Keaton. Among the famous stars and directors of the silent era who appear in the film are Anna Q. Nilsson and H. B. Warner.
- A theatrical version of SUNSET BOULEVARD, with music by Andrew Lloyd Webber, premiered in London in 1993, starring Patti LuPone. Glenn Close took the role of Norma in the Los Angeles version and, in 1994, reprised it for the Broadway premiere.
- According to Mason Wiley and Damien Bona's INSIDE OSCAR, among the actors and actresses considered for the part of Joe Gillis were Montgomery Clift and Fred MacMurray; those offered the role of Norma Desmond included Mae West, Mary Pickford, and Pola Negri.
- UPC: 883929304875
- Shipping Weight: 0.24/lbs (approx)
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