The Name of the Game Is Kill
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|SUPER SAVINGS:||$16.40 Limited Time Only|
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Available: Usually ships in 2-5 business days
- Rated: Not Rated
- Run Time: 1 hours, 24 minutes
- Video: Color
- Released: April 30, 2013
- Originally Released: 1968
- Label: Vci Video
- Encoding: Region 0 (Worldwide)
- Note: Introduction by documentary filmmaker Daniel Griffith
- Audio commentary by screenwriter Gary Crutcher, moderated by Daniel Griffith
- "Psycho's Sister - making The Name of the Game is Kill" - an all-new documentary featuring exclusive interviews with screenwriter Gary Crutcher ("Stanley"), cinematographer Vilmos Zsigmond ("Deliverance"), composer Stu Phillips ("Battlestar Galactica"), film director/historian Joe Dante ("Gremlins"), writer/film historian Tim Lucas (Video Watchdog), and more!
- "Schlockmeister: Joe Solomon on reels" - the cinematic history of producer/distributor Joe Solomon...told through trailers. Featuring audio commentary by film historian Chris Poggiali (Temple of Shlock)
- Extensive promotional gallery
- Rare TV spot and more!
- Aspect Ratio: Widescreen - 1.78
- Dolby Digital 2.0 Mono - English
- Subtitles - English
Performers, Cast and Crew:
|Starring||Jack Lord, Susan Strasberg, Collin Wilcox Paxton, Tisha Sterling & T.C. Jones|
|Directed by||Gunnar Hellstrom|
|Screenwriting by||Gary Crutcher|
|Composition by||Stu Phillips|
|Director of Photography:||Vilmos Zsigmond|
HAWAII FIVE-O's Jack Lord stars in this odd little thriller directed by Gunnar Hellstrom. Lord plays a Hungarian man named Lipa who meets the beautiful Mickey (Susan Strasberg) while wandering the highways of Arizona. Mickey runs a gas station in the desert with her mother (T.C. Jones) and two sisters and invites Lipa to stay with them. He does, not knowing that the entire family is stark-raving mad. The usual psychological games ensue, with Lipa being attacked by a rattlesnake, seduced by the psychotic sisters, and run over with a car before figuring out the predictable truth -- that "Mom" is really a man. Gorgeous photography by Vilmos Zsigmond and some amusingly sadistic set-pieces accent this enjoyably trashy thriller.
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