Sansho the Bailiff
A film of unparalleled beauty by the great Japanese Master Kenji Mizoguchi
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- Rated: Not Rated
- Run Time: 2 hours, 4 minutes
- Video: Black & White
- Released: April 14, 2015
- Originally Released: 1954
- Label: Criterion Collection
- Encoding: Region 1 (USA & Canada)
- Note: Audio commentary featuring Japanese literature scholar Jeffrey Angles
- Interviews with critic Tadao Sato, Assistant Director Tokuzo Tanaka, and actress Kyoko Kagawa on the making of the film and its lasting importance
- Plus: An essay by scholar Mark Le Fanu
- Aspect Ratio: Full Frame - 1.33
- Subtitles - English
Performers, Cast and Crew:
|Starring||Kinuyo Tanaka, Kyôko Kagawa & Yoshiaki Hanayagi|
|Performer:||Eitarô Shindô & Masao Shimizu|
|Directed by||Kenji Mizoguchi|
|Cinematography by||Kazuo Miyagawa|
|Produced by||Masaichi Nagata|
Serious as a heart attack and so emotionally wrenching that it's almost difficult to watch. Full Review
Rating: 4/4 -- At some point during the watching, "Sansho the Bailiff" stops being a fable or a narrative and starts being a lament, and by that time it is happening to us as few films do. Full Review
Rating: 4/4 -- a film of surpassing, transcendent wisdom and beauty. Full Review
Film Freak Central
Rating: 3/4 -- It illuminates the human condition and gives you plenty of time to think. It is the nature of nature to show no mercy, but mercy is inherent to the nature of human beings, even when it seems buried under loads of suffering. Full Review
Rating: A+ -- It's a masterpiece in its simplicity of telling a compelling story and its depth of understanding the human condition. Full Review
Ozus' World Movie Reviews
[I]t's beautifully told: shocking in places, but also exquisitely photographed and full of feeling.
Sight and Sound
Rating: 10/10 -- You are well aware at every moment that you are watching something that has been assembled with utmost precision. Full Review
Antagony & Ecstasy
This stunning Kenji Mizoguchi masterpiece reaches back to a Japanese folk tale of the 12th century to depict the barbarism of "a dark age, when people didn't know how to be human." The film stars Yoshiaki Hanayagi as Zushiô, the young son of a provincial governor Masauji Taira (Masao Shimizu). A man of outstanding compassion and probity, he impresses on his son the notion that "without mercy, a man is not a man." When the governor's attempts to protect the rights of regional farmers clash with the goals of the feudal regime, he's sent into exile, and forced to leave his family behind. A few years later Zushiô, his mother, Tamaki (Kinuyo Tanaki), and sister, Anju (Kyôko Kagawa), begin a long journey to reunite with Masauji, only to be waylaid be kidnappers en route. The bandits sell Tamaki to a brothel on an isolated island and the children to corrupt official Sanshô (Eitarô Shindô) as slaves. As the years pass, Anju lapses into passivity while Zushiô becomes hardened by the brutality that has become their lot. One day, while escorting a dying slave outside the confines of their camp, they plan an escape. In what may be his finest film, the director again uses the great cinematographer Kazuo Miyagawa (UGETSU), shooting scenes of the most intense emotion from a distance in long, magnificently composed sequence takes, suggesting the transience of all worldly suffering, and fulfilling the Nabokovian dictum of art as "beauty plus compassion."
SANSHÔ THE BAILIFF is the tragic and moving story of a family torn apart by oppression in feudal Japan.
- The film features subtitles taken from a translation by Garrett Sokoloff and Hitoni Suzuki, which was commissioned for the stage adaptation by film director Terrence Malick.
- In addition to Kenji Mizoguchi's SANSHÔ THE BAILIFF and UGETSU, master cinematographer Kazuo Miyagawa also photographed many other classic Japanese films, including Akira Kurosawa's RASHOMON and Yasujiro Ozu's UKIGUSA.
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